Images or artwork printed with foil effects will darken slightly and some gradient range will be lost. Consider lightening images before printing for a better result.

To create typical silver foil, we recommend applying 15% K over the foil.

Yes, foil effects allows you to design with full coverage and full bleed, unlike foil stamping which is limited 50% of the coverage.

Knockouts are the spaces in the Foil Effects mask or in the CMYK print file. Beware there might be a "halo" of white around the knockout area. Although registration is better than traditional foil stamping, it will not be exact.

Do not design using foil effects on very thin or small text or artwork. For best results, use large areas or fonts 12pt and above. Sans-serif fonts 10 point or above will also work.

A UV coating will bring out more of the foil/CMYK subtleties in your artwork as well as add another dimension of gloss to your design.

Foil effects works best on lighter colours. The darker and more saturated the colour is, the less effect the foil effect will have.

Foil Stamping is the true and traditional form of adding foil to your project. Foil stamping is limited to under 50% coverage, cannot bleed and is not suited to complex designs. Foil effects allows almost unlimited foil colours, gradients and can be used for intricate designs. We offer traditional foil stamping on silk laminated and uncoated stocks while foil effects is only printed on a coated card stock.

Coated cards have a thin clay coating that can chip when trimmed. Cards with heavy ink coverage, especially dark colours that goes all the way to the edges, tend to really to show this chipping. We recommend silk laminated cards for designs with heavy coverage at the trim line.

The upside of club-run printing is the shared savings, the downside is that we adjust colour globally to get the best overall colour for shared jobs. This means the colour of club-run printed items will vary through the run and will not match exactly on re-prints. Our Indigo printing service is better suited to colour critical work.

Coated cards aren't ideal for writing on. If finished with a matte aqueous coating, sharpies may work if left to dry but ballpoint pens will smudge. If finished with a UV gloss coating, don't even think about it. If this is a big deal, check out our uncoated card stock options.

CMYK Process colours in the grey range and de-saturated images can shift in colour throughout the print run and may cause the greys to appear either cooler or warmer. For a neutral grey, we recommend converting all grey values and de-saturated images to true greyscale consisting of K (black) only values.

Due to the nature of club-run printing, you may experience colour variation in solid fills of blue. For great blue results, we recommend a 30% difference between your Cyan and Magenta levels to ensure a nice rich dark blue, rather than purple.

For the richest of deep dark blacks in print use 50/40/40/100 as the CMYK value. If printing small black text (or knocked out text), we recommend a k only black (0/0/0/100) to avoid mis-registration issues.

Colour on cards finished with a UV gloss coating will appear slightly darker and richer than cards finished with an aqueous coating.